ANALISIS SEMIOTIKA MAKNA ‘PEREMPUAN GILA’ PADA LIRIK LAGU “RAYUAN PEREMPUAN GILA” KARYA NADIN AMIZAH

FAHNI, SOPHIA and Musdalifah, Farisha Sestri (2024) ANALISIS SEMIOTIKA MAKNA ‘PEREMPUAN GILA’ PADA LIRIK LAGU “RAYUAN PEREMPUAN GILA” KARYA NADIN AMIZAH. Undergraduate thesis, Sriwijaya University.

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Abstract

Nadin AmizaH wrote the lyrics to the song Rayuan Peruan Gila with dictionthat is full of meaning, as song lyrics are a medium for &anneling feelings, selfexpression and also socio-cultural values in society. Based on the backgroundabove, the researcher wants to know the meaning of crazy woman in the lyrics ofthe song Rayuan Perempuan Gila by Nadin Amizah. This research is included inthe qualitative research method with an interpretive paradigm and uses RolandBarthes' semiotic analysis to uncover the meaning of denotation, connotation andmyths that develop within it. The results of this research show that a crazy womanis a depiction of a woman who is not easy to love, does not believe that she is lovedand is a woman who is struggling to recover from various problems that exist withinherself. Contextually, this is a form of applying feelings of self-love (self- love).believe and accept (self-acceptance) that he is worthy of being loved (self-worth).This song is certainly a threat to reopen mental health issues that have always beencovered up, indirectly this song is also an encouragement, understanding andinvitation to speak loudly and openly so that it will generate support for those whoneed it. Keywords: song lyrics, crazy woman, Roland Barthes semiotics, mental health

Item Type:	Thesis (Undergraduate)
Uncontrolled Keywords:	Lirik lagu, perempuan gila, semiotika Roland Barthes, kesehatan mental
Subjects:	H Social Sciences > HD Industries. Land use. Labor > HD59-59.6 Public relations. Industrial publicity
Divisions:	07-Faculty of Social and Politic Science > 70201-Communication Science (S1)
Depositing User:	Sophia Fahni
Date Deposited:	22 May 2024 01:20
Last Modified:	22 May 2024 01:20
URI:	http://repository.unsri.ac.id/id/eprint/144402

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